Mad Men – The Phantom
by deerinthexenonarclights
What haunts the people of Sterling Cooper Draper Pryce? Literally speaking it is that last name on the letterhead, the man it signifies, the seat he left empty and the most nefarious fate that found it that way. More so than any of that though it is the phantoms of the past as a whole that most pervades their private thoughts and turmoils of the soul as they step warily into the future. What did they do to get themselves here and what didn’t they when they should’ve? These are some of the questions running through their heads during the episode, but these like so many others are all questions that ultimately go unanswered by a rather ambiguous and seemingly uneventful finale.
Whether we knew it or not the show has in its own way always been about trying to escape these ghosts, usually by becoming something of a phantom like Don did when he took that name rather than Dick. Why try and outrun something that will seemingly simply disappear at the turn of your back? So the SCDP offices are haunted now, by Lane and by certain choices made before his death, they’re corrupted, but is physically running away from them really going to help? The partners in the firm ponder buying up the now empty Parachute company upstairs as part of a fresh start, but the irony is that all they’ll really be doing is constructing an exact replica of their current offices, their windows even showing the same exact view. Like in a nightmare these characters can run and run and run but they’ll never actually be able to make it outside, the logic and architecture of the world simply render their route a loop back to the beginning.
Of all people shouldn’t Don now know better than to think that such scary things can truely be escaped? That he would ever get to be a Final Girl in this horror show (one that began, coincidentally, with an attack on Token Black’s , as all horror movies do). He has run this race many times before and never bested it, but still he tries again, all the time knowing that he’ll never win. He is the sort that tries to ignore the pain of the tooth until it simply goes away, assuming that things will simply return to the status quo, that life will again become normal. This time though it seems that they won’t, this time the tooth would have taken the jaw out with it; times have changed and not for the better.
But can the people change with them, that seems to be the question of the season: can they adapt, hell can they change at all and this episode to me provides something of a scatter shot answer. On one hand you have the fact that it is, as Mrs.Pryce makes clear, of our culture to wallow in the past, to be forever burdened by the brunt of the mistakes we mere men are bound to make, of their permanence but on the other a lot of the episode is about learning to let go and the fleeting nature of life’s lessons. It’s conflicting philosophy, but not i don’t think, a confused one; it’s this complicated because life is similarly so.
Take for example the electroshock therapy, the other medical procedure in the piece; this session wipes the slate clean, it removes the pain entire by taking the personality with it like a tooth does its roots. It is then entirely possible to change but this is only a “Temporary bandage on a permanent wound;” you can rid yourself of your clothes and your discontents for a little while but the enlightenment doesn’t last, nothing does. Pretty soon after starting your new job you find yourself at the same cinema the old you used to escape into; we’re always changing, always moving, but again it’s in circles and so we always end up back where we began or somewhere close to it, never actually any closer to contentment, the phantom of perfection.
Don is also haunted this week by a literal phantom, in one of the weaker pieces of imagery, but how he reacts to that ghost is telling; the life that he has so fervently tried to escape from for all these years stands before him incarnate and he asks him not to leave, in a way he wants the past to stay, he’s spun around a corner and is now ready to embrace his beginning. We end the episode with him sitting in a bar, sleazy smile spread across his dial as he lights a woman’s cigarette: he hasn’t changed and neither have the times, the sixties are still the fifties are still the fourties are still now. We’re still haunted by what happened back then and hell if TV won’t forever be haunted by this show, if it won’t stand as the phantom all other programs pine to be as they spin in their on future loops.
On the surface it was a rather flat finale after some superb episodes but it certainly threw some balls in the air and great to see Peggy again. Not so great to see Roger’s ass. This has been my favourite season with rarely a dull episode but this one was one of the weakest. How many times can Pete get punched in one season?
I’d like to think that Lane was looking on from heaven, heavy grin on his face as Pete copped fists from every which way.
It was an underwhelming finale, but then they so often are these days; Shut the Door was such an outlier for the show and the medium as a whole. I for one miss the days of the big finale.
Yeah, there is a trend among a lot of shows now for the penultimate episode to be the big one, and then the finale to be a quiet epilogue of sorts. How much I enjoy that approach tends to vary from show-to-show. I guess I do sometimes crave the “massive finale” approach of something like Buffy or Lost or Doctor Who (Lost Season 3’s “Through the Looking Glass- Parts 1 and 2” is still like, the best thing evaaaaa).
I certainly didn’t mind this Mad Men finale though, it was good! It was just clearly one of the lesser episodes of the season for me. I know this probably isn’t a show about big “TV-like” plot twists as much as the other shows I mentioned above. That said, I was still hoping for something in this episode approaching the impact of the Codfish Ball, or the LSD episode, or the twists involving Joan and Lane this season. I could even have done with something resembling the quality of what I felt was a truly wonderful season premiere for Mad Men this year (“A Little Kiss”). That one was devoid of any huge moments, but I still remember it really blew me away. I actually feel that “A Little Kiss” ranks considerably higher for me in the season than it may for others. I remember finding that premiere truly hilarious too, which is interesting when you consider how dark the season got as it went along (which wasn’t a bad thing, I’m just making an observation).
Ummm… Back on topic. Finale was decent. The image of the SCDP partners looking out of the new floor of the building was very stunning. Though at times this episode certainly did amplify some of the minor issues of the season (eg. not being subtle enough- with Adam’s ghost, for example). However I think this season has been absolutely amazing overall, despite probably not achieving a state of total perfection (and hey, what does?).
I’m conflicted about the final scene with Don in the bar. I almost wish that it was the final scene of the entire series. Because it was such a stunningly-portrayed, haunting moment. But at the same time I don’t really want to watch Don cheating all the time again in Season 6. I fear it would depress me after how much I admired the fact that he didn’t cheat once this season.
Still an amazing season of an amazing show. I’m gonna miss it dearly over the hiatus. At least Breaking Bad will be back before long.
The final scene captured Dons season long inner torment wonderfully . Not sure it is scene to leave on, could easily have been Dons last scene but not the whole seson’s and does confirm it is his show but I would have thought there were better scenes to make everyone hang on? Mind you after watching this and then the opener to TB which was simply a titillating dogs breakfast makes me realise how much I will miss it. – thank me for BB.
PS did love the choice of song at the end